Osman Hamdi Bey (Turkish, 1842–1910) Young Woman Reading (1880)
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Oil on canvas
41.1 x 51cm (16 3/16 x 20 1/16 in)
From the Bonhams website:
The kaleidoscopic nature of Osman Hamdi's biography – he was, at various times, a bureaucrat, archaeologist, museum director, architect, poet, writer, and musician - and his prominent position in both late 19th century French and Ottoman intellectual circles have made him a controversial symbol of Turkish nationalism and cultural reform in recent years. In his capacity as an Orientalist painter, moreover, he has long been considered a curiosity within the genre. Too Turkish for some, too French for others, Osman Hamdi and his works have been framed by the politics of these debates. Singled out for particular attention have been the artist's harem pictures, featuring one or more women engaged in their daily indoor and outdoor pursuits. Interpreted as both pointed commentaries on misconceptions about the harem institution in the West and dependable documents from an "insider" from the East, the actual details of these compositions have often been ignored. (Read more at link below)
41.1 x 51cm (16 3/16 x 20 1/16 in)
From the Bonhams website:
The kaleidoscopic nature of Osman Hamdi's biography – he was, at various times, a bureaucrat, archaeologist, museum director, architect, poet, writer, and musician - and his prominent position in both late 19th century French and Ottoman intellectual circles have made him a controversial symbol of Turkish nationalism and cultural reform in recent years. In his capacity as an Orientalist painter, moreover, he has long been considered a curiosity within the genre. Too Turkish for some, too French for others, Osman Hamdi and his works have been framed by the politics of these debates. Singled out for particular attention have been the artist's harem pictures, featuring one or more women engaged in their daily indoor and outdoor pursuits. Interpreted as both pointed commentaries on misconceptions about the harem institution in the West and dependable documents from an "insider" from the East, the actual details of these compositions have often been ignored. (Read more at link below)
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